Flemish Northern Renaissance Painter, ca.1545-1581 Painter, son of Pieter Pourbus. His work consists mainly of portraits and religious subjects, although he also executed a number of landscapes and history paintings. He worked mostly for the wealthy patrician class, and his work was instrumental in spreading the Romanism of Frans Floris (his teacher) throughout the Netherlands. It is probable that Frans Pourbus's earliest teaching was with his father in Bruges, but by 1564 he is recorded as working in the Antwerp studio of Floris. According to van Mander, Frans Pourbus and his fellow student Crispijn van den Broeck together completed an altarpiece by Floris after the latter's death in 1570. In 1566 Frans Pourbus married Susanna, a daughter of Cornelis Floris and niece of his master, and in 1569/70 he became a master in the Antwerp Guild of St Luke, though he retained his citizenship of Bruges. Gortzius Geldorp was his pupil in Antwerp in 1570. For Ghent Cathedral Frans painted Christ among the Doctors (the Viglius Altarpiece, 1571; in situ), which includes life-size portraits of Emperor Charles V, his son Philip, their secretary Viglius ab Aytta (d 1577), Jansenius, first Bishop of Ghent (d 1576), and the Duke of Alba. A decade later Pourbus executed the portrait of the Hoefnagel Family (c. 1581; Brussels, Mus. A. Anc.), shown grouped around a harpsichord playing musical instruments, in which the artist included a self-portrait (playing a lute) at the upper left. The picture was acquired in 1696 by Constantijn Huygens the younger from a cousin, a Hoefnagel descendant, in exchange for a horse; the young girl of 15 or 16 with a parrot in her hand was Huygens's grandmother. An inventory drawn up after Frans Pourbus death lists 20 portraits by him, many from the circle of the Duke of Anjou.  Related Paintings of Frans Pourbus :. | Margarita Gonzaga | Archduchess of Austria | Portrait of Petrus Ricardus | Portrait of Louis XIII of France | Portrait of a man by Frans Pourbus the younger |
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LUINI, Bernardino
Italian High Renaissance Painter, ca.1480-1532 Italian painter and draughtsman. He was one of the generation of Lombard painters active around 1500 who, influenced by Leonardo and Raphael, blended High Renaissance innovations with indigenous Milanese elements to create a Lombard Renaissance style. Luini's paintings were extremely popular with both collectors and critics from c. 1790 to the end of the 19th century. This widespread popularity, however, had unfortunate consequences: many of his frescoes were detached from their original settings, many of the panel paintings were transferred to canvas and other works were heavily restored. As a result few survive in a good state. About 700 works are attributed to Luini, but many of these attributions are over optimistic.
Gerhard ter Borch
1617-1681
CECCO DEL CARAVAGGIO
Italian Baroque Era Painter, active ca.1610-1620 Painter active in Italy. His nationality is not known. He was a follower of Caravaggio, and his rare works reveal a highly original and idiosyncratic response to that artist's naturalism. Agostino Tassi mentioned him as involved, with several French artists, in the decoration of the Villa Lante at Bagnaia between 1613 and 1615,